nevver:

Vanishing Type, Nick Barclay

publicartfund:

hifructosemag:

French artist Astro takes flat urban surfaces and creates passageways into the void. Using shadows and light, calligraphy-inspired designs and winding curves, the artist’s optical illusions are made for public consumption.

More on HiFructose.com.

We love seeing how other cities use public art. 

nevver:

Teamlab immersions, Tokyo

nevver:
“ Billscape, Lilyan Aloma
”

nevver:

Billscape, Lilyan Aloma

nevver:

Heroes, Alex Gross (updated)

nevver:

Blackout, July 13th 1977 (9:14 pm)

contemporary-art-blog:

Antony and the Johnsons, Cut the World. Directed by Nabil.

nevver:

Femina Plantarum, Elsa Mora

archatlas:

A Tour of the World in Photochromes

In the 1880s, Hans Jakob Schmid perfected a magnificent photographic colour printing process, called Photochrome. Starting from a black and white negative transferred onto as many lithographic stones as colours required in the final image, a subtly nuanced print was achieved at a time when colour photography was still only in its infancy.

At that time, Hans Jakob Schmid worked at the Orell Füssli Printing Company in Zurich, which took out a patent for this process in 1888 and founded the company Photoglob Zürich (P.Z.), with the express purpose of marketing the images in very varied formats, up to 40x50 cm, which enjoyed an immediate success and well beyond Switzerland’s borders. The First World War and the arrival on the market of the first colour photography processes sounded the knell of Photochrome.

The Swiss Camera Museum is displaying a sizeable collection of Photochromes, including large format views, sometimes panoramic, albums and various smaller collections, touristic pictures, which constituted a real invitation to travel across the world at the turn of the XIXth and XXth centuries.

Images and text via